All My Sons – NT Live Broadcast
Rescheduled from Feb. 7 to Feb. 9 at 1 p.m., pre-show lecture at 12 p.m.
Broadcast from The Old Vic in London, Academy Award-winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and established a thriving business.
But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. With the return of a figure from the past, long buried truths are forced to the surface and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
Run-time: 2 hours 45 minutes
Adult $15 | Senior $10 | Student $8 | All fees included
Please join us!
Pre-performance reception & lecture, presented by the McGillicuddy Humanities Center. UMaine professor Dick Brucher will conduct the lecture to provide background information about the play. 12-12:15 reception; 12:15-12:45 lecture; show- 1 p.m. Bodwell Lounge on the 3rd floor of the CCA.
Late in Arthur Miller’s All My Sons (1947), factory owner Joe Keller asks what can be more important than family. It was for family, and under pressure from the Army Air Force for production, that Joe says he told his partner to ship faulty airplane parts that killed 21 American pilots during the war. That past decision, revealed in the present, betrays the Kellers’ son Chris, an idealist and veteran, who insists that there is more to life than business profit and family loyalty. We must also live in the world. Miller domesticates corporate practice to create middle-class tragedy.
All My Sons is what Miller called a birds-coming-home-to-roost play, one in which retrospective action brings the past to bear on the present, and connects personal deeds and public consequences. Miller tried to make the play so untheatrical that audience members would mistake the world presented onstage for their own. These are matters of dramatic style and effect more than of theme. Miller set out to capture—and to cause audiences to experience—the wonder in the fact that consequences are as real as the actions that cause them. This idea is as timely in 2020 as it was in 1947.
All My Sons was Miller’s first big hit; and it has remained among his most popular plays, up there with Death of a Salesman (1949), The Crucible (1953), and A View from the Bridge (1955/56). My introduction to the NTLive streaming of the play will discuss its basis in contemporary (1940s) events, the influences of Henrik Ibsen’s plays on Miller’s work, and the experience of modern tragedy. The talk will raise a few problems in interpretation and staging, particularly regarding characters’ motives and interactions. Kate Keller, the mother who mourns the death of her son Larry and protects her husband, is perhaps the play’s most compelling character.
What is NT Live?
National Theatre Live transmits the best of British theatre live from London to screens around the world. The broadcasts are filmed in front of a live audience, with cameras carefully positioned throughout the theatre to ensure cinema audiences get the best-seat-in-the-house view. Productions are transmitted via satellite to the Collins Center, then projected onto our high-definition screen — one of the largest in the state.