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Met Opera Streams
Each stream becomes available at 7:30 p.m. and remains accessible for on-demand viewing until 6:30 p.m. the following day.

Women’s Week:

Friday, January 22
Puccini’s Tosca
Starring Hildegard Behrens, Plácido Domingo, and Cornell MacNeil, conducted by Giuseppe Sinopoli. From March 27, 1985.

Saturday, January 23
Massenet’s Manon
Starring Lisette Oropesa, Michael Fabiano, Carlo Bosi, Artur Ruci?ski, Brett Polegato, and Kwangchul Youn, conducted by Maurizio Benini. From October 26, 2019.

Sunday, January 24
Wagner’s Die Walküre
Starring Deborah Voigt, Eva-Maria Westbroek, Stephanie Blythe, Jonas Kaufmann, Bryn Terfel, and Hans-Peter König, conducted by James Levine. From May 14, 2011.

Antiheroes Week:

Monday, January 25
Mozart’s Don Giovanni
Starring Hibla Gerzmava, Malin Byström, Serena Malfi, Paul Appleby, Simon Keenlyside, Adam Plachetka, Matthew Rose, and Kwangchul Youn, conducted by Fabio Luisi. From October 22, 2016.

Tuesday, January 26
Rossini’s Le Comte Ory
Starring Diana Damrau, Joyce DiDonato, Susanne Resmark, Juan Diego Flórez, Stéphane Degout, and Michele Pertusi, conducted by Maurizio Benini. From April 9, 2011.

Wednesday, January 27
Gounod’s Faust
Starring Marina Poplavskaya, Jonas Kaufmann, and René Pape, conducted by Yannick Nézet-Séguin. From December 10, 2011.

Thursday, January 28
Verdi’s Falstaff
Starring Lisette Oropesa, Angela Meade, Stephanie Blythe, Jennifer Johnson Cano, Paolo Fanale, Ambrogio Maestri, and Franco Vassallo, conducted by James Levine. From December 14, 2013.

Friday, January 29
Wagner’s Der Fliegende Holländer
Starring Anja Kampe, Mihoko Fujimura, Sergey Skorokhodov, David Portillo, Evgeny Nikitin, and Franz-Josef Selig, conducted by Valery Gergiev.  From March 10, 2020.

Saturday, January 30
Verdi’s Rigoletto
Starring Diana Damrau, Oksana Volkova, Piotr Becza?a, Željko Lu?i?, and Štefan Kocán, conducted by Michele Mariotti. From February 16, 2013.

Sunday, January 31
Verdi’s Macbeth
Starring Maria Guleghina, Dimitri Pittas, Željko Lu?i?, and John Relyea, conducted by James Levine. From January 12, 2008.

More performances!

Take Care of This House: A Brief History of a Showtune We Should All Listen to Today
In 1976, Leonard Bernstein and Alan Jay Lerner debuted their musical 1600 Pennsylvania Avenue on Broadway at the Mark Hellinger Theatre (now the Times Square Church). It was Bernstein’s last original Broadway score, and the show, co-directed and co-choreographed by Gilbert Moses and George Faison after the original creative team departed out-of-town, was a massive flop, closing after 13 previews and seven performances.

1600 Pennsylvania Avenue is a retelling of the first 100 years of White House through the eyes of its main residents: the presidents and first ladies, and three generations of their Black serving staff. One actor plays all of the presidents, one actor plays all of the first ladies, one actor plays male servant Lud, one actor plays female servant Seena. Presented in a bicentennial year, audiences expected a rah-rah show of patriotism; what they got was an ahead-of-its-time indictment of the racism that has pervaded the United States since its creation. Critics, naturally, thought it was too preachy and superficial.

Though the show disappeared awfully fast, several of its songs have survived to become seminal texts in the “Great American Songbook.” Chief among them is a song I’ve been thinking about a lot over the past 24 hours, “Take Care of This House.” In the context of the show, the song finds Abigail Adams (originally played by Patricia Routledge) giving instructions to Lud (Gilbert Price) on the day-to-day care of the White House. But, naturally, it’s a metaphor for preserving the sanctity of the Republic:

Take care of this house
Keep it from harm
If bandits break in sound the alarm
Care for this house
Shine it by hand
And keep it so clean
The glow can be seen all over the land.

After the shameful events yesterday at the Capitol, the message of this song has never felt timelier. History will not look kindly on what took place, but the beacon of light that is our country still stands. And while it might seem dark now, there is a new day ahead.

Click on the link to watch Cynthia Erivo perform this number from Leonard Bernstein and Alan Jay Lerner’s 1600 Pennsylvania Avenue.

Bonus pick content was reprinted from the website TheaterMania.


Richard Strauss: Metamorphosen for Two Violins, Two Violas, Two Cellos and Bassusical Moment: Mozart’s Divertimento in D Major 
Listen anytime
Watch the beautiful performance of Strauss: Metamorphosen played by Bella Hristova and Arnaud Sussmann, Violin; Richard O’Neill and Mark Holloway, Viola; Dmitri Atapine and David Requiro, Cello and Xavier Foley, Bass, courtesy of the Chamber Music Society at Lincoln Center.

Can You Guess Which Musical Theatre Song Is the Most Listened to in the Car?

Quiz time! British car retailer Halfords combed through Spotify data to find the most-listened to songs on the road. The study reportedly analyzed thousands of playlists, with names such as ‘musical road trip,’ to come up with a list of the top 100 songs from the stage and screen.